Children of Vaelinya · Valen · 7 of 8

Vaelinya artwork used as the header image for this story in the initial web edition.

Valen and the Broken Mask

The painted face split down the middle during rehearsal.

There was no dramatic sound.

Just a small dry crack.

Nemi had lifted the festival mask to try the final scene. One moment its red painted smile was whole. The next, the thin wooden face had opened from forehead to chin.

Nemi caught both pieces before they hit the floor.

Everyone stopped.

The rehearsal room was full of half-built things: cloth clouds hanging from a beam, a wooden doorway with no wall around it, baskets of ribbons, three painted staffs leaning in a corner. The broken mask looked stranger than any of them.

“Oh,” said Nemi.

“That settles it,” said Master Rovan, one of the older performers. “You can go without it.”

Nemi did not answer.

Another performer said, “It might be better without the mask anyway. More honest.”

Valen looked at Nemi.

Nemi was staring at the two broken halves.

The mask had always represented the Traveller in the midsummer play. It had a wide red smile, blue lines beneath the eyes and a little gold mark on the forehead. People recognised it before they recognised the person wearing it.

Valen knew three stories about why it looked that way.

One said the smile meant courage.

One said it meant welcome.

One said the first Traveller actor had simply painted it badly and everyone afterwards had copied the shape.

Valen liked the third story best.

They nearly told it.

Then they noticed that nobody had asked what Valen thought the mask meant.

“Nemi?” Valen said.

Nemi looked up.

“What do you want people to see?”

Rovan answered first.

“The Traveller.”

Valen kept looking at Nemi.

Nemi turned one half of the mask over.

“I do not know yet.”

That answer changed the work.

Rovan exhaled.

“We perform in six days.”

“I know.”

“We can mend it.”

Nemi ran a thumb near the crack without touching the sharp edge.

“Maybe.”

“Or you can perform without it.”

“Maybe.”

Rovan looked at Valen as if stories were something Valen could produce on command.

Valen shrugged.

“Nemi said they do not know yet.”

So the mask went onto the work table instead of straight to the repair bench.

For the rest of rehearsal, Nemi played the Traveller without it.

Valen watched from the side.

Some scenes worked.

In others, Nemi kept lifting a hand toward their face where the mask should have been.

Afterwards Valen asked, “How was that?”

“Exposed.”

“Bad exposed?”

Nemi frowned.

“That is already too many words.”

Valen smiled.

“Fair.”

They walked home part of the way together.

At the crossing, Nemi said, “Everyone keeps saying no mask would be more truthful.”

“What do you think?”

“I think my face is not public property just because I am acting.”

Valen stopped.

That sentence had edges.

They did not soften it.

The next morning, Valen brought paper and charcoal to rehearsal.

Not a solution.

Just materials.

Nemi sat at the table with the broken mask between them.

“What is the paper for?”

“You said you did not know yet.”

“That sounds suspiciously like homework.”

“It can be drawing.”

“Still homework.”

Valen slid the charcoal away.

Nemi pulled it back.

They began with words.

Traveller.

Guide.

Visitor.

Stranger.

Welcome.

Leaving.

Watching.

Not smiling.

Nemi crossed out half of them.

The first description they tried sounded like the version everyone already expected.

BRAVE TRAVELLER WHO BRINGS HOPE.

Nemi stared at it.

“No.”

“Why?”

“Because I do not want to spend the whole performance looking brave.”

Valen crossed out nothing.

It was Nemi’s page.

The second version was longer.

It said the Traveller sometimes wanted to hide, sometimes wanted to be seen, and sometimes did not know which.

Nemi read it twice.

Then folded the paper over.

“Too much.”

“Too private?”

“Yes.”

Valen nodded.

Nemi wrote a third sentence.

I WANT TO PLAY THE TRAVELLER. I DO NOT WANT THE PAINTED SMILE.

They both looked at the broken mask.

“Mask or no mask?” Valen asked.

“Maybe a different mask.”

That afternoon, they went to the craft room.

Maer Sova, who repaired stage objects, inspected the crack.

“I can join this,” Sova said. “But the wood is tired. It may split somewhere else.”

Nemi touched one blue painted line.

“Could we use only part of the old design?”

“We can use as much or as little as you want.”

Rovan, who had followed them in, said, “The audience needs to know who the Traveller is.”

Nemi looked at him.

“Then give me the Traveller’s staff.”

Rovan opened his mouth.

Closed it.

“That would do it.”

Sova made three quick paper shapes before cutting anything.

The first covered the whole face.

Nemi tried it and removed it immediately.

“Too closed.”

The second covered only the eyes and upper cheeks.

Nemi wore it through one rehearsal scene.

Afterwards they shook their head.

“Everyone keeps looking at it.”

“That may be because it is new,” Valen said.

“Maybe. I still do not want it.”

The third was a plain light covering with a removable front panel.

Sova fastened a small version of the old blue eye-lines to the panel.

Nemi looked in the polished metal mirror.

“Can the lines come off?”

Sova removed them.

Nemi looked again.

“Can the panel come off?”

It did.

Underneath was a simple unpainted shape.

Nemi breathed out.

“This.”

Rovan tilted his head.

“A blank mask?”

Valen felt a story form immediately.

Blank as possibility.

Blank as refusal.

Blank as a space no one else could fill.

All three sounded good.

All three belonged to Valen.

Nemi had not said any of them.

At rehearsal, Nemi wore the plain covering and carried the Traveller’s staff.

The scene began.

Halfway through, the mask bothered them.

Nemi lifted it.

Rovan tensed.

Nemi hooked it onto the staff and continued the scene bare-faced.

Nobody stopped them.

Afterwards, Rovan said, “So the mask comes off at that point?”

Nemi looked down at the staff.

“Maybe.”

“Because the Traveller finally reveals—”

“No.”

Rovan stopped.

Nemi rubbed their forehead.

“It was hot.”

Valen laughed before they could stop.

Rovan stared at them.

“That is not very symbolic.”

“It does not have to be,” Nemi said.

At the next rehearsal, Nemi kept the mask on longer.

At the one after that, they removed it earlier.

They were not searching for the single true moment.

They were finding what worked in the performance.

Two days before the festival, another actor asked what the blank face meant.

Valen began to answer.

They had spent all week thinking about it. They had notes. They had possibilities.

Nemi answered first.

“It means I wanted it blank.”

Valen closed the mouth that had already opened.

The other actor waited.

“That is all?”

“For now.”

The answer seemed to disappoint them.

Nemi did not rescue the disappointment.

Festival evening arrived warm and bright.

Backstage, Rovan checked the props.

Staff.

Cloth map.

Travel bag.

Mask.

He held up the repaired old face too.

“We kept it, in case you change your mind.”

Nemi looked at the painted smile.

Then at the plain mask.

“Thank you.”

They chose the plain one.

In the first scene, the audience recognised the Traveller from the staff and the silver-edged cloak.

No one shouted that the old smile was missing.

In the third scene, Nemi removed the mask and hung it from the staff.

In the fifth, they put it on again.

Valen watched from beside the curtain.

The choices did not form the neat symbolic arc Valen might have written.

That made them more interesting.

After the play, people crowded the square.

An older woman told Nemi she missed the red smile.

A child said the plain mask looked like moon bread.

One person asked whether it meant the Traveller had “no fixed self.”

Nemi blinked.

“No,” they said. “It means I liked this mask.”

Valen turned away to hide a grin.

Later, when the props were being packed, Sova brought the broken old mask in a shallow box.

“What should happen to this?”

Rovan looked at Nemi.

Nemi considered.

“Keep it with the other old props.”

“Repaired or broken?”

“Broken. But wrap the edges.”

Sova did.

Valen wrote the storage label.

OLD TRAVELLER MASK — SPLIT DURING REHEARSAL.

They almost added a sentence explaining what happened next.

Instead they stopped after the fact.

Nemi placed the new plain mask beside the box.

“Do not label that one blank,” they said.

“What should I call it?”

Nemi thought.

“Traveller mask. Current.”

Valen wrote exactly that.